FREN 65 La Mode: Fashion in French Culture: Approaches to fashion studies
Fashion in film
Fashion in Film by
The vital synergy between dress and the cinema has been in place since the advent of film. Broaching topics such as vampires, noir, and Marie Antoinette looks, Fashion in Film uncovers the way in which the alliance of these two powerhouse industries use myriad cultural influences -- shaping narrative, national identity, and all points in between. Contributor essays address international films from early cinema to the present, drawing on the classic and the innovative. This abundantly illustrated collection reveals that fashion in conjunction with film must be understood in a different way from fashion tout simple.
ISBN: 9780253356130Publication Date: 2011-06-28
Fashion in Film by
Fashion designers have been involved in movies since the early days of cinema. The result is some of the most eye-catching and influential costumes ever committed to film, from Ralph Lauren's trend-setting masculine style for Diane Keaton in Annie Hall to Audrey Hepburn's little black Givenchy dress in Breakfast at Tiffany's.Fashion in Film celebrates the contributions of fashion designers to cinema, exploring key garments, what they mean in context of the narrative, and why they are so memorable. Illustrated with beautiful film stills, fashion images and working sketches, this book will appeal to lovers of both fashion history and cinema.
ISBN: 9781780678733Publication Date: 2016-10-25
Star Style by
Updated with rare photos of modern fashion individualists: Gwyneth Paltrow, Drew Barrymore, Whoopi Goldberg and Cher! Here, the author Paty Fox explores the real-life wardrobes of the film world's most celebrated actresses: Gloria Swanson, Marlene Dietrich, Dolores Del Rio, Greta Garbo, Joan Crawford, Katharine Hepburn, Lucille Ball, Doris Day, Marilyn Monroe, Audrey Hepburn. A fascinating study of women who defined and defied fashion of their times and catapulted to stardom.
ISBN: 1883318068
Fashion in history
Fashion Prints in the Age of Louis XIV by
Between 1678 and 1710, Parisian presses printed hundreds of images of elegantly attired men and women dressed in the latest mode, and posed to display every detail of their clothing and accessories. Long used to illustrate dress of the period, these fashion prints have been taken at face value and used uncritically. Drawing on perspectives from art history, costume history, French literature, museum conservation and theatrical costuming, the essays in this volume explore what the prints represent and what they reveal about fashion and culture in the seventeenth century. With more than one hundred illustrations, Fashion Prints in the Age of Louis XIV constitutes not only an innovative analysis of fashion engravings, but also one of the most comprehensive collections of seventeenth-century fashion images 04 Activeable in print.
ISBN: 9780896728578Publication Date: 2014-09-01
Four hundred years of fashionISBN: 0002171899
18th-Century Fashion in Detail (Victoria and Albert Museum) by
This beautifully illustrated book reveals the sharp pleats, high collars, gleaming pastes, colourful beads, elaborate buttons and intricate lacework that make up some of the garments in the Victoria and Albert Museum's extensive fashion collection. With an expertly written text by one of the museum's fashion curators and exquisite colour photography of garment details, complemented by line drawings and photographs, the reader has the unique opportunity to examine up close historical clothing that is often too fragile to be on display. It is an inspirational resource for students, collectors, designers and anyone who is fascinated by fashion and costume. This new edition features an updated design, fresh content and new research, and an introduction that focuses on the makers and processes involved in producing 18th-century fashion.
ISBN: 9780500292631Publication Date: 2018-06-19
Dress in Eighteenth-Century Europe, 1715-1789 by
Ribeiro surveys the clothing worn by the middle and upper classes throughout Europe in the 18th century, and discusses what this meant in terms of social definition and identity. This edition includes many new illustrations.
ISBN: 0300091516Publication Date: 2002-07-11
A Decade of French Fashion, 1929-1938 by
"A well-illustrated survey of style. Chock full of detailed, quality illustrations accompanied by brief descriptions. A worthy offering. Nostalgic types who enjoy perusing vintage catalogs and clip art books will find much to savor here. This practical resource is sure to provide inspiration for artists and fashion designers. Five stars." -- biblio-filer In addition to a world-wide depression and the rise of Fascism throughout Europe, the years between 1929 and 1938 witnessed dramatic changes in women's fashion. With the turning of the decade, the free and easy fashions of the Roaring Twenties shifted to a softer, more conservative look, with an emphasis on curves rather than angles. Hemlines plummeted almost overnight and did not begin to rise until mid-decade. These selections from full-color French catalogs produced for the international market from 1929 through 1938 document the changes in fashion from the time of the stock market crash to the dawn of World War II. More than 100 images of day and evening wear illustrate the movement from flapper fashions to a more austere look. Fashion designers, costume historians, costumers, and anyone who loves fashion will treasure this richly illustrated survey. "A must for anyone interested in fashion and costume, this book offers exactly what the title suggests -- a decade of French fashion, portrayed in beautiful illustrations from contemporary catalogues. A joy to read and savor." -- newbooks magazine "This is a book to read and time and time again, each new viewing helping further details --from button placements to hemline shapes -- to present themselves to you, the reader, as you soak up and savor the supreme elegance that was 1930s fashion for those with the means to buy from the best that France had to offer." -- Chronically Vintage
ISBN: 9780486797830Publication Date: 2015-08-19
French Fashion Illustrations of the Twenties by
Treasury of royalty-free motifs from famed periodical, drawn with wit, flair and charm. Slinky beauties in a variety of gowns, dresses, coats, suits, beachwear, and other stylish outfits. Perfect for graphic projects calling for sophistication and feminine allure.
ISBN: 0486254585Publication Date: 1987-10-01
Accessories to Modernity by
Accessories to Modernity explores the ways in which feminine fashion accessories, such as cashmere shawls, parasols, fans, and handbags, became essential instruments in the bourgeois idealization of womanhood in nineteenth-century France. Considering how these fashionable objects were portrayed in fashion journals and illustrations, as well as fiction, the book explores the histories and cultural weight of the objects themselves and offers fresh readings of works by Balzac, Flaubert, and Zola, some of the most widely read novels of the period. As social boundaries were becoming more and more fluid in the nineteenth century, one effort to impose order over the looming confusion came, in the case of women, through fashion, and the fashion accessory thus became an ever more crucial tool through which social distinction could be created, projected, and maintained. Looking through the lens of fashion, Susan Hiner explores the interplay of imperialist expansion and domestic rituals, the assertion of privilege in the face of increasing social mobility, gendering practices and their relation to social hierarchies, and the rise of commodity culture and woman's paradoxical status as both consumer and object within it. Through her close focus on these luxury objects, Hiner reframes the feminine fashion accessory as a key symbol of modernity that bridges the erotic and proper, the domestic and exotic, and mass production and the work of art while making a larger claim about the "accessory" status--in terms of both complicity and subordination--of bourgeois women in nineteenth-century France. Women were not simply passive bystanders but rather were themselves accessories to the work of modernity from which they were ostensibly excluded.
ISBN: 9780812242591Publication Date: 2010-06-10
Paris Haute Couture by
A comprehensive history of high fashion in Paris from Madame Grès and Balenciaga to Yves Saint Laurent and Yohji Yamamoto, spanning all aspects from clothing and accessories to perfume. Ever since Charles Frederick Worth dressed the Empress Eugénie in the 1860s, launching a "golden century" of dressmaking, Parisian haute couture has been a source of endless admiration and fascination. Its emphasis on exquisite design and meticulous craftsmanship has put it at the forefront of the fashion industry, in terms of its influence and its indisputable sublimation of fashion to an art form. The relevance and practices of haute couture may have evolved over time, but the work of many contemporary couturiers reveals a strong sense of continuity with the achievements of their predecessors, from the creations of Paul Poiret, Jeanne Lanvin, and Christian Dior, through to their modern counterparts in Christian Lacroix, Jean-Paul Gaultier, or Viktor & Rolf. This chronological study traces the history of the esteemed couture houses of Paris, examining the role of the designer and the extraordinary craftsmanship behind the finished creations, the importance of haute couture in Parisian culture, and its influence in the wider international fashion industry. Particular attention is paid to the relationship between haute couture and the client, as well as the dualities present in modern haute couture--its sense of exclusivity and quasi-mythical aura countered by an ever-increasing reach into popular consciousness and attainability, through perfumes, branding, and the media spectacle of fashion shows. This volume is richly illustrated with images of the most superb pieces created by truly exceptional designers. Various incarnations of Chanel's timeless, classic quilted handbag, Fath's charmingly-patterned silk scarves, and Poiret's elegant perfume bottles demonstrate that haute couture encompasses far more than just clothing. From the delicate embroidery on a Worth garment, to the graceful silhouette of Dior's ballgowns, to the sculptural creations of Madame Grès and their modern echoes in the work of Yohji Yamamoto, Parisian haute couture is a constantly evolving art. Fascinating archival photographs invite the reader through the doors of these exclusive Paris establishments into the showrooms and ateliers of the master couturiers, allowing us to glimpse the alluring, refined, and rarely-seen world that is Parisian haute couture.
ISBN: 9782080201386Publication Date: 2013-02-05
Fashion designers
The Great Fashion Designers by
Over the last 180 years designers have propelled fashion from an elite craft into a cornerstone of popular culture. This brilliantly written guide to the lives and collections of 55 iconic fashion designers draws on the latest academic research and the best of fashion journalism, including the authors' own interviews with designers. Beginning with 19th century couturier Charles Frederick Worth and concluding with the star names of the 2010s, Polan and Tredre detail each designer's working methods and career highlights to capture the spirit of their times. This beautifully illustrated revised edition features five new designer profiles: Hedi Slimane, Raf Simons, Phoebe Philo, Alessandro Michele and Demna Gvasalia. It's also been updated throughout to reflect a fashion world in constant ferment, with designers swapping jobs and fashion houses at unprecedented speed. The industry has expanded into a global phenomenon - and designers have emerged as true celebrities; The Great Fashion Designers explores their passion and flair to show us fashion at its most inspirational.
ISBN: 9781350091603Publication Date: 2020-01-09
Fashion Statements by
In this book Francesca Alfano Miglietti offers a collection of everything that has created scandal, enthusiasm, excitement and a sense of participation in fashion, and examines the construction and de-construction of our bodies and our identities, beginning with what we wear and the relationship our clothes have with all that is contemporary. In 44 interviews, previously published in the Italian art magazine Virus, designers and photographers define their concept of fashion. The simple yet extravagant style of Ann Demeulemeester, the multiethnic contaminations of Romeo Gigli, the nihilist and aggressive look of Alexander McQueen, the erotic and ironic play of Anna Molinari, the irreverence and unpredictability of Jean-Paul Gaultier, the audacity of the queen of fashion Vivienne Westwood, and more are discussed and illustrated in this highly-readable and visually delightful book.
ISBN: 9788876246876Publication Date: 2006-10-24
Visionaries by
"The interviews, which are now reprinted in book form, provide a fascinating insight into the designers' lives, comprehensive biographical detail and extensive analysis into the way they think and work, as well as documenting the cultural climate at the time. The book is illustrated with portraits and specially commissioned fashion shoots by some of the most successful fashion photographers working today, among them Mert Alas and Marcus Piggott, Mark Aleski, Alex Cayley, Donald Christie, Jane McLeish, Julie Sleaford, Justin Smith, Juergen Teller and Robert Wyatt." "Visionaries provides both essential background reading and a compelling gallery of outstanding images which will appeal to students and lovers of fashion alike."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
ISBN: 0810965895Publication Date: 2001-10-01
Couture Confessions by
Late legendary couturiers of modern fashion speaking eloquently about life, design, and inspiration. Vionnet, Chanel, Dior, Saint Laurent, McQueen--these names define haute couture, and long after the designers have passed away, their influence on fashion continues to be profound. In an exceptional compilation of the original words of these couturiers, Couture Conversations provides a unique and in-depth look at the lives and work of these fashion icons. In this engaging, beautifully designed book, Pamela Golbin, acclaimed chief curator of twentieth-century fashion and textiles at Paris's Musée des Arts Décoratifs, has ingeniously constructed conversations in the designers' own words that highlight their compelling personal stories as well as essential fashion "moments"--from designers Paul Poiret, Cristóbal Balenciaga, Madame Grès, Alexander McQueen, Madeleine Vionnet, and Gabrielle Chanel to Elsa Schiaparelli, Yves Saint Laurent, Jeanne Lanvin, Pierre Balmain, and Christian Dior.Featuring striking illustrations by internationally recognized illustrator Yann Legendre, each "interview" asks the questions every fashion lover has always wanted to ask, making these legends approachable, human, and ever more inspiring.
ISBN: 9780847849031Publication Date: 2016-06-07
Fashion and culture
Fashion in European Art by
Fashion reveals not only who we are, but whom we aspire to be. From 1775 to 1925, artists in Europe were especially attuned to the gaps between appearance and reality, participating in and often critiquing the making of the self and the image. Reading their portrayals of modern life with an eye to fashion and dress reveals a world of complex calculations and subtle signals. Extensively illustrated, Fashion in European Art explores the significance of historical dress over this period of upheaval, as well as the lived experience of dress and its representation. Drawing on visual sources that extend from paintings and photographs to fashion plates, caricatures and advertisements, the expert contributors consider how artists and their sitters engaged with the fashion and culture of their times. They explore the politics of dress, its inspirations and the reactions it provoked, as well as the many meanings of fashion in European art, revealing its importance in understanding modernity itself.
ISBN: 9781784534622Publication Date: 2017-08-30
Fashioning the Bourgeoisie by
When department stores like Le Bon Marché first opened their doors in mid-nineteenth-century Paris, shoppers were offered more than racks of ready-made frock coats and crinolines. They were given the chance to acquire a lifestyle as well--that of the bourgeoisie. Wearing proper clothing encouraged proper behavior, went the prevailing belief. Available now for the first time in English, Fashioning the Bourgeoisie was one of the first extensive studies to explain a culture's sociology through the seemingly simple issue of the choice of clothing. Philippe Perrot shows, through a delightful tour of the rise of the ready-made fashion industry in France, how clothing can not only reflect but also inculcate beliefs, values, and aspirations. By the middle of the century, men were prompted to disdain the decadent and gaudy colors of the pre-Revolutionary period and wear unrelievedly black frock coats suitable to the manly and serious world of commerce. Their wives and daughters, on the other hand, adorned themselves in bright colors and often uncomfortable and impractical laces and petticoats, to signal the status of their family. The consumer pastime of shopping was born, as women spent their spare hours keeping up their middle-class appearance, or creating one by judicious purchases. As Paris became the fashion capital and bourgeois modes of dress and their inherent attitudes became the ruling lifestyle of Western Europe and America, clothing and its "civilizing" tendencies were imported to non-Western colonies as well. In the face of what Perrot calls this "leveling process," the upper classes tried to maintain their stature and right to elegance by supporting what became the high fashion industry. Richly detailed, entertaining, and provocative, Fashioning the Bourgeoisie reveals to us the sources of many of our contemporary rules of fashion and etiquette.
ISBN: 0691033838Publication Date: 1994-06-16
Sexing la Mode by
The connection between fashion, femininity, frivolity and Frenchness has become a cliché. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it to be 'merely the external mark of a depravity shared with slaves'. The story of how la mode was 'sexed' as feminine offers a compelling insight into the political, economic and cultural tensions that marked the birth of modern commercial culture. Jones examines men's and women's relation to fashion at this time, looking at both consumption and production to argue how clothing was becoming increasingly conceptualized as feminine/effeminate. A concise history of French fashion culture suitable for anyone interested in eighteenth-century culture, women and gender studies or fashion history.
ISBN: 1859738303Publication Date: 2004-07-01
Fashioning the Body Politic by
With an afterword by Roger Griffin. Fashion is often thought of as a matter of personal taste, completely unconnected with the public domain of political life and citizenship. Overturning this perspective, this absorbing book reveals that, from the French Revolution to post-revolutionary China, fashion has played a significant role in political participation and protest. Fashioning the Body Politic challenges the perception of helpless fashion victims, subject to manipulation by consumerism and the fashion industry, and shows how, in a range of historical and national contexts, certain styles of dress and display were significant for both men and women's political participation and the formation of their identities as citizens. How did 'dressing up' in a variety of ways allow suffragette women to perform unconventional forms of political protest? In what ways did the uniforms of scouts and guides function to erect gender, racial and religious boundaries? Following the ban on traditional clothing in Imperial Russia, how did Russians appropriate European fashions and ethnic costumes to fashion new identities for themselves? Using these and a wealth of other case studies, Fashioning the Body Politic offers a fresh perspective on the relationship between men, women and fashion and shows that the political domain has always been permeated with the cultural practices of dress, display and bodily performance.
ISBN: 1859735827Publication Date: 2002-05-01
A Cultural History of Dress and Fashion in the Medieval Age by
During the medieval period, people invested heavily in looking good. The finest fashions demanded careful chemistry and compounds imported from great distances and at considerable risk to merchants; the Church became a major consumer of both the richest and humblest varieties of cloth, shoes, and adornment; and vernacular poets began to embroider their stories with hundreds of verses describing a plethora of dress styles, fabrics, and shopping experiences. Drawing on a wealth of pictorial, textual and object sources, the volume examines how dress cultures developed - often to a degree of dazzling sophistication - between the years 800 to 1450. Beautifully illustrated with 100 images, A Cultural History of Dress and Fashion in the Medieval Age presents an overview of the period with essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, visual representations, and literary representations.
ISBN: 9780857856876Publication Date: 2018-11-01
ISBN: 2735105679
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