Rock Music: 2000s - Present
"So What? I'm Still a Rockstar": Rock Music from the 2000s to the Present
Rock music from the early 2000s to the present day continues to evolve with social changes. These library resources exemplify emerging music scenes in the digital age, validate the legitimacy of contemporary rock music, and discuss nostalgia for the rock music of the past.
Books
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City, 2001-2011 by
Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can't Stop Won't Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war--and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it--including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend--and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.
Call Number: ML3535.3 .G66 2017ISBN: 9780062233097Publication Date: 2017-05-23
From the Basement: A History of Emo Music and How It Changed Society by
#1 New Release in Punk and Music Philosophy & Social Aspects, Theory, Composition & Performance ─ A Look at the History of the Emo and Indie Music Era Explore the cultural, social, and psychological factors surrounding the genres. Though songs can be timeless, music is often a result of the era in which it was created. The 2000s in music gave rise to indie, emo, and punk rock, carrying an emotional tone that has resonated with listeners ever since. Originally appealing to a small selection of music lovers, this music era now holds a significant place in the history of rock. The relationship between music and mental health. Music leaves its mark on the world by touching the hearts and minds of its creators and listeners. This book explores that connection and takes a look at what emo, alternative, and indie music did for the mental health of musicians and listeners. Inside stories from the music legends themselves. The voices of the rock musicians who contributed to these genres of music are just as important now as they were then. Author Taylor Markarian includes both her own interviews with bands and those from outside sources to provide an oral history and offer an authentic portrayal of these underground arts. Markarian's book offers a comprehensive look into genres of music that have been simultaneously mocked and admired. Discover in From the Basement: The beauty and legitimacy of the gritty, wailing music that evolved into indie, alternative, and emo Insights from conversations with favorite emo/indie bands of the time The impact these genres have had on the millennial generation and today's pop culture and mental health Extensive coverage of bands like Save the Day, Dashboard Confessional, and My Chemical Romance If books such as Please Kill Me, American Hardcore, Meet Me in the Bathroom, and Sex, Drugs, and Cocoa Puffs have rocked your world, then From the Basement: A History of Emo Music and How It Changed Society should be your next read. Please note: A batch of printed copies mislabeled the band Hot Water Music as How Water Music. If you received a copy with this issue, please contact support@mango.bz to recieve a corrected copy of the book.
Call Number: OnlineISBN: 9781642501148Publication Date: 2019-10-15
Nothing Feels Good: Punk Rock, Teenagers, and Emo by
Nothing Feels Good: Punk Rock, Teenagers, and Emo tells the story of a cultural moment that's happening right now-the nexus point where teen culture, music, and the web converge to create something new. While shallow celebrities dominate the headlines, pundits bemoan the death of the music industry, and the government decries teenagers for their morals (or lack thereof) earnest, heartfelt bands like Dashboard Confessional, Jimmy Eat World, and Thursday are quietly selling hundreds of thousands of albums through dedication, relentless touring and respect for their fans. This relationship - between young people and the empathetic music that sets them off down a road of self-discovery and self-definition - is emo, a much-maligned, mocked, and misunderstood term that has existed for nearly two decades, but has flourished only recently. In Nothing Feels Good, Andy Greenwald makes the case for emo as more than a genre - it's an essential rite of teenagehood. From the '80s to the '00s, from the basement to the stadium, from tour buses to chat rooms, and from the diary to the computer screen, Nothing Feels Good narrates the story of emo from the inside out and explores the way this movement is taking shape in real time and with real hearts on the line. Nothing Feels Good is the first book to explore this exciting moment in music history and Greenwald has been given unprecedented access to the bands and to their fans. He captures a place in time and a moment on the stage in a way only a true music fan can.
Call Number: ML3534 .G75 2003ISBN: 0312308639Publication Date: 2003-11-15Nu-Metal: The Next Generation of Rock & Punk by This comprehensive A-Z listing has over 100 rap-rock, rap-metal and funk-metal bands, plus a host of other hard-hitting acts from the hip-hop and hardcore punk branches of metal.
Call Number: ML3534 .M358 2002ISBN: 0711992096Publication Date: 2002-05-01
Fell in Love with a Band: The Story of the White Stripes by
With only two members and no bass player the White Stripes certainly seemed like the ultimate makeshift band. So how is it that this enigmatic couple--who publicize themselves as brother and sister though official documents say they're ex-husband-and-wife--became a multi-platinum musical sensation? From their early days as the darlings of Detroit rock scene to their current status as MTV celebs, they've defied expectations every step of the way. How did it happen that the simple idea of staying true to a lo-fi, blues-based sound became a revolutionary idea in the age digital conformity and complex studio production? Fell in Love with a Band: The Story of the White Stripes is the first biography by a Detroit journalist who has followed their career since the group's inception in 1997. From Meg White's novice attempts at banging the drums to their current incarnation as the face of indie rock. With never before seen photos and exclusive interviews with members of Detroit bands like Blanche and The Von Bondies, Fell in Love with a Band gets to the heart of this enigmatic rock band and for the first time tells the real story of their rise to fame and the power behind their sound.
Call Number: ML421.W49 H36 2004ISBN: 0312336187Publication Date: 2004-09-03
Why Solange Matters by
Growing up in the shadow of her superstar sister, Solange Knowles became a pivotal musician in her own right. Defying an industry that attempted to bend her to its rigid image of a Black woman, Solange continually experimented with her sound and embarked on a metamorphosis in her art that continues to this day. In Why Solange Matters, Stephanie Phillips chronicles the creative journey of an artist who became a beloved voice for the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange Knowles's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange's progress through an inflexible industry, charting the artist's development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. Then, with A Seat at the Table and 2019's When I Get Home, Phillips describes how Solange embraced activism, anger, Black womanhood, and intergenerational trauma to inform her remarkable art. Why Solange Matters not only cements the place of its subject in the pantheon of world-changing twenty-first century musicians, it introduces its writer as an important new voice.
Call Number: ML420.S67957 P55 2021ISBN: 9781477320082Publication Date: 2021-04-20
Switched on Pop: How Popular Music Works, and Why It Matters by
Pop music surrounds us - in our cars, over supermarket speakers, even when we are laid out at the dentist - but how often do we really hear what's playing? Switched on Pop is the book based on the eponymous podcast that has been hailed by NPR, Rolling Stone, The Guardian, and EntertainmentWeekly for its witty and accessible analysis of Top 40 hits. Through close studies of sixteen modern classics, musicologist Nate Sloan and songwriter Charlie Harding shift pop from the background to the foreground, illuminating the essential musical concepts behind two decades of chart-toppingsongs.In 1939, Aaron Copland published What to Listen for in Music, the bestseller that made classical music approachable for generations of listeners. Eighty years later, Nate and Charlie update Copland's idea for a new audience and repertoire: 21st century pop, from Britney to Beyonce, Outkast toKendrick Lamar. Despite the importance of pop music in contemporary culture, most discourse only revolves around lyrics and celebrity. Switched on Pop gives readers the tools they need to interpret our modern soundtrack. Each chapter investigates a different song and artist, revealing musicalinsights such as how a single melodic motif follows Taylor Swift through every genre that she samples, Andre 3000 uses metric manipulation to get listeners to "shake it like a Polaroid picture," or Luis Fonsi and Daddy Yankee create harmonic ambiguity in "Despacito" that mirrors the patterns ofglobal migration.Replete with engaging discussions and eye-catching illustrations, Switched on Pop brings to life the musical qualities that catapult songs into the pop pantheon. Readers will find themselves listening to familiar tracks in new ways - and not just those from the Top 40. The timeless concepts thatNate and Charlie define can be applied to any musical style. From fanatics to skeptics, teenagers to octogenarians, non-musicians to professional composers, every music lover will discover something ear-opening in Switched on Pop.
Call Number: ML3470 .S6 2020ISBN: 9780190056650Publication Date: 2019-12-13
Nothing Has Been Done Before: Seeking the New in 21st-Century American Popular Music by
Is there such a thing today as music that's meaningfully new? In our contemporary era of remixing and retro styles, cynics and romantics alike cry "It's all been done before" while record labels and media outlets proclaim that everything is new. Coded into our daily conversations about popular music, newness as an artistic and cultural value is too often taken for granted.Nothing Has Been Done Before instigates a fresh debate about newness in American pop, rock 'n' roll, rap, folk, and R&B made since the turn of the millennium. Utilizing an interdisciplinary approach that combines music criticism, philosophy, and the literary essay, Robert Loss follows the stories of a diverse cast of musicians who seek the new by wrestling with the past, navigating the market, and speaking politically. The transgressions of Bob Dylan's "Love and Theft". The pop spectacle of Katy Perry's 2015 Super Bowl halftime show. Protest songs against the war in Iraq. Nothing Has Been Done Before argues that performance heard in a historical context always creates a possibility for newness, whether it's Kendrick Lamar's multi-layered To Pimp a Butterfly, the Afrofuturist visions of Janelle Monáe, or even a Guided By Voices tribute concert in a local dive bar. Provocative and engaging, Nothing Has Been Done Before challenges nothing less than how we hear and think about popular music--its power and its potential.
Call Number: ML3477 .L67 2017ISBN: 9781501322037Publication Date: 2017-11-02
Ripped: How the Wired Generation Revolutionized Music by
No less than a decade ago, the majority of mainstream music was funneled through a handful of media conglomerates. But now more individuals are listening to more music from a greater variety of sources than at any time in history. Ripped tells the story of how the laptop generation created a new music industry, with fans and bands rather than corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators. Since this digital revolution hit the music industry, its infiltration into every other form of media has been well documented, if often not well understood. Ripped brilliantly illustrates how, when, and where the changes happened first and leaves us with an understanding of how to move forward.
Call Number: ML74.7 .K68 2009ISBN: 9781416547310Publication Date: 2010-05-11
Retromania: Pop Culture's Addiction to Its Own Past by
One ofThe Telegraph's Best Music Books 2011 We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity--the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism--never has there been a society so obsessed with the cultural artifacts of its own immediate past.Retromaniais the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?
Call Number: ML3534 R4915 2011ISBN: 9780865479944Publication Date: 2011-07-19
Articles
- "Blink 182 Have arrived! Watch Out Britain!" by John Robb, Kerrang!, 2000
- "Pink" by David Bennun, Arena, 2002
- "Yeah Yeah Yeahs: Lust for Life" by Stevie Chick, Kerrang!, 20 February 2003
- "Foo Fighters: 'Us or Nirvana? I'm Prouder of Us!'" by Ian Winwood, New Musical Express, May 2005
- "Fast and Furious: Arctic Monkeys" by Dorian Lynskey, The Guardian, 30 September 2005
- "Jay-Z: Change the Game" by Michael A. Gonzales, Stop Smiling, Winter 2007
- "Amy Winehouse: Booze and Cheers" by Sophie Heawood, The Times, 8 April 2007
- "Paramore: 'We're Not Just Teenybopper Superstars'" by Paul Lester, The Guardian, 4 November 2010
- "The 1975: SSE Hydro, Glasgow" by Peter Ross, The Times, 14 January 2019
- "Olivia Rodrigo: Radio City Music Hall, New York City" by Iman Lababedi, RockNYC, 28 April 2022
- Rock's BackpagesAn archive of music journalism and popular music writing of the last 60 years. Includes 38,000 articles on all subcategories of popular music.
Archival Materials
Allison Hussey Collection, 2008-2019
This collection contains contemporary rock music journalism and various concert ephemera from writer Allison Hussey. Most of her research focuses on the local indie music scene.
Audio
The Music Library holds more than 60,000 sound and video recordings you can check out. Use the library catalog to find their call numbers, then ask for them at the Music Library Circulation Desk.
- Use ALL FIELDS search.
- Refine your search (to CD, Vinyl record, Audiocassette, etc) with limiters on the left side of the screen
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Ex. ALL FIELDS: David Bowie |
Ex. ALL FIELDS: Rock music |
Pay attention to the item's location; there are several collections on campus that have music materials.
When you find a recording you are interested in, click on its Subject tab to find similar items. If the item you want is checked out or we don't own it, you can request it through Interlibrary Loan.
Videos
Amy by
The incredible story of six-time Grammy winner Amy Winehouse - in her own words. Featuring extensive unseen archival footage and previously unheard tracks, this strikingly modern, moving, and vital film shines a light on our culture and the world we live in today.
Call Number: 65-DVD20036Publication Date: 2015I Am Trying to Break Your Heart by A penetrating look at the music business via the rock band Wilco as they record their album "Yankee Hotel Foxtrot." Including live performances and the behind-the-scenes conflicts and corporate problems that plagued the group.
Call Number: DVD-926Publication Date: 2002
Suggested Subject Headings
"Rock music -- 2001-2010"
"Rock music -- 2011-2020"
"Alternative rock music"
"Alternative metal music"
"Electronic music"
"Emo (Music)"
"Hip hop (Music)"
"Music and the Internet"
"Punk rock music"
"Rap (Music)"
Contemporary Rock Fiction
Daisy Jones and the Six by
#1 NATIONAL BESTSELLER * OVER ONE MILLION COPIES SOLD! A gripping novel about the whirlwind rise of an iconic 1970s rock group and their beautiful lead singer, revealing the mystery behind their infamous breakup--from the author of The Seven Husbands of Evelyn Hugo, Malibu Rising, and Carrie Soto Is Back REESE'S BOOK CLUB PICK * NOW AN EMMY AWARD-NOMINATED ORIGINAL STREAMING SERIES EXECUTIVE PRODUCED BY REESE WITHERSPOON "An explosive, dynamite, down-and-dirty look at a fictional rock band told in an interview style that gives it irresistible surface energy."--Elin Hilderbrand ONE OF THE BEST BOOKS OF THE YEAR: NPR, The Washington Post, Esquire, Glamour, Real Simple, Good Housekeeping, Marie Claire, Parade, Paste, Shelf Awareness, BookRiot Everyone knows DAISY JONES & THE SIX, but nobody knows the reason behind their split at the absolute height of their popularity . . . until now. Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it's the rock 'n' roll she loves most. By the time she's twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things. Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she's pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road. Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend. The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.
The Final Revival of Opal and Nev by
An electrifying novel about the meteoric rise of an iconic interracial rock duo in the 1970s, their sensational breakup, and the dark secrets unearthed when they try to reunite decades later for one last tour. A GOOD MORNING AMERICA BUZZ PICK NAMED A BEST BOOK OF 2021 BY BARACK OBAMA * THE WASHINGTON POST * NPR * ESQUIRE * ENTERTAINMENT WEEKLY * GOODREADS * THE MILLIONS * READER'S DIGEST * PHILADELPHIA INQUIRER * EERIE READER * PUBLIC RADIO TULSA * CHICAGO PUBLIC LIBRARY * KIRKUS REVIEWS "Feels truer and more mesmerizing than some true stories. It's a packed time capsule that doubles as a stick of dynamite." --THE NEW YORK TIMES BOOK REVIEW Opal is a fiercely independent young woman pushing against the grain in her style and attitude, Afro-punk before that term existed. Coming of age in Detroit, she can't imagine settling for a 9-to-5 job--despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar's amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records. In early seventies New York City, just as she's finding her niche as part of a flamboyant and funky creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal's bold protest and the violence that ensues set off a chain of events that will not only change the lives of those she loves, but also be a deadly reminder that repercussions are always harsher for women, especially black women, who dare to speak their truth. Decades later, as Opal considers a 2016 reunion with Nev, music journalist S. Sunny Shelton seizes the chance to curate an oral history about her idols. Sunny thought she knew most of the stories leading up to the cult duo's most politicized chapter. But as her interviews dig deeper, a nasty new allegation from an unexpected source threatens to blow up everything. Provocative and chilling, The Final Revival of Opal & Nev features a backup chorus of unforgettable voices, a heroine the likes of which we've not seen in storytelling, and a daring structure, and introduces a bold new voice in contemporary fiction.
Utopia Avenue by
NEW YORK TIMES BESTSELLER * The long-awaited new novel from the bestselling, prize-winning author of Cloud Atlas and The Bone Clocks. New York Times Book Review Editors' Choice * "Mitchell's rich imaginative stews bubble with history and drama, and this time the flavor is a blend of Carnaby Street and Chateau Marmont."--The Washington Post "A sheer pleasure to read . . . Mitchell's prose is suppler and richer than ever . . . Making your way through this novel feels like riding a high-end convertible down Hollywood Boulevard."--Slate NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post * NPR * USA Today * The Guardian * The Independent * Kirkus Reviews * Men's Health * PopMatters Utopia Avenue is the strangest British band you've never heard of. Emerging from London's psychedelic scene in 1967, and fronted by folk singer Elf Holloway, blues bassist Dean Moss and guitar virtuoso Jasper de Zoet, Utopia Avenue embarked on a meteoric journey from the seedy clubs of Soho, a TV debut on Top of the Pops, the cusp of chart success, glory in Amsterdam, prison in Rome, and a fateful American sojourn in the Chelsea Hotel, Laurel Canyon, and San Francisco during the autumn of '68. David Mitchell's kaleidoscopic novel tells the unexpurgated story of Utopia Avenue's turbulent life and times; of fame's Faustian pact and stardom's wobbly ladder; of the families we choose and the ones we don't; of voices in the head, and the truths and lies they whisper; of music, madness, and idealism. Can we really change the world, or does the world change us?
Off the Record by
Take a volatile rock band, a kingmaking concert promoter, a downtrodden clubowner and a rock critic with questionable journalistic ethics, add one hit record, a drug problem, a couple of riots and shake well. There you have the essence of this book, the very unauthorized account of the rise and fall of the Tommy Aguilar Band. “Off The Record” will confirm your worst suspicions about the music business, an industry in which musicians are like the infantry -- the first to die, and the last to get paid. For further intrigue, visit the “Off The Record” website at www.offtherecordbook.com
